The palette is to an artist what the keyboard is to a musician, it is the medium through which an artist expresses himself and as such looking at the palette of an artist can tell us a great deal about how he or she works. If the paints on your palette are not ordered and neat then you run the risk of laying muddy colours on your painting, and having to waste paint which has become mixed unintentionally with others.

Please follow the guide below to avoid this. There are differing palettes for oils and watercolours. If you are using oil then an old style wooden palette with a thumb hole can be used but with watercolours or acrylics it is better to use a modern plastic palette which has recesses, these will hold watery paint and stop it from running into an adjacent colour. When you start to put paint on the paper it is wise to consider where you put the paint on the palette. With oil paint it is easier because the paint takes many hours to dry. Classical artists were trained to arrange the paint as follows. White was placed nearest the thumb hole and then following round in a circle the paints are arranged into the colours of the rainbow and finally black. This very neat arrangement allows all colours to be mixed either on the palette or on the paper or canvas. The white and black are as far away from each other to prevent the colours on the palette becoming muddy.

An example of oils on the palette following these rules would be: Flake white, Cadmium yellow, yellow ochre, raw sienna, cadmium red, burnt sienna, Umber, ultramarine, cobalt blue, viridian and ivory black.

These follow the old rhyme “richard of york gave battle in vain (red, orange, yellow, green, blue, indigo, violet)”. Exactly the same rules apply when using watercolours or acrylics. Obviously the palette you use should have sufficient recesses to hold all the seven colours plus white and black and also with both watercolour and acrylic you should regularly clean the palette completely. This is because as you experiment with colour and tone the resulting colour is “fixed”. With watercolour or acrylic do not spend too much time making a dark tone light or a light tone dark, you are just wasting paint. Clean your palette and start again, always following the rules above. See if by following these tips your paintings take on cleaner brighter hues.

The palette is to an artist what the keyboard is to a musician, it is the medium through which an artist expresses himself and as such looking at the palette of an artist can tell us a great deal about how he or she works. If the paints on your palette are not ordered and neat then you run the risk of laying muddy colours on your painting, and having to waste paint which has become mixed unintentionally with others.

Please follow the guide below to avoid this. There are differing palettes for oils and watercolours. If you are using oil then an old style wooden palette with a thumb hole can be used but with watercolours or acrylics it is better to use a modern plastic palette which has recesses, these will hold watery paint and stop it from running into an adjacent colour. When you start to put paint on the paper it is wise to consider where you put the paint on the palette. With oil paint it is easier because the paint takes many hours to dry. Classical artists were trained to arrange the paint as follows. White was placed nearest the thumb hole and then following round in a circle the paints are arranged into the colours of the rainbow and finally black. This very neat arrangement allows all colours to be mixed either on the palette or on the paper or canvas. The white and black are as far away from each other to prevent the colours on the palette becoming muddy.

An example of oils on the palette following these rules would be: Flake white, Cadmium yellow, yellow ochre, raw sienna, cadmium red, burnt sienna, Umber, ultramarine, cobalt blue, viridian and ivory black.

These follow the old rhyme “richard of york gave battle in vain (red, orange, yellow, green, blue, indigo, violet)”. Exactly the same rules apply when using watercolours or acrylics. Obviously the palette you use should have sufficient recesses to hold all the seven colours plus white and black and also with both watercolour and acrylic you should regularly clean the palette completely. This is because as you experiment with colour and tone the resulting colour is “fixed”. With watercolour or acrylic do not spend too much time making a dark tone light or a light tone dark, you are just wasting paint. Clean your palette and start again, always following the rules above. See if by following these tips your paintings take on cleaner brighter hues.

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While it may be wise to leave exterior home painting to professionals, some people need to tackle the job themselves. If you find yourself faced with this daunting task, follow these tips for success:

First of all, make sure you’re qualified. Exterior painting is physically demanding and requires a great deal of time and effort. Don’t waste resources planning to do it yourself if you may not be able to complete the job.

Remember that exterior paint must withstand harsh weather conditions. Using the highest quality primers and paints available is worth it when you consider the wear and tear your paint job will need to endure. In fact, a poor paint job can lead to deeper damages to your siding.

When choosing a color or color scheme, remember there are many factors to consider. The age and style of the home, location, neighborhood guidelines, surroundings, and condition of the property should all play a role in your decision.

Consider getting practice with a paint sprayer. For a large job such as this, the extra effort needed to polish your paint spraying skills beforehand could mean a huge time savings in the end.

Inspect your home’s condition and research the best ways to prep various surfaces for painting to ensure the best and most durable outcome.

Staining versus painting requires the same amount of research and care. Choose the proper stain for your particular wood and climate, and make sure to remove all previous stain before reapplying. The wood surface must be clean and porous for the stain to set properly. Also, different types and colors of stain require different application techniques.

Get answers to all your questions ahead of time. You have many resources available to you-take advantage. The Internet, hardware and home improvement store employees, and books or guides are all excellent ways to research and educate yourself beforehand to prevent roadblocks and problems.

Plan on doing it right the first time. This is a big job that everyone will see, so the last thing you want is a big mistake or worse-needing to redo the whole thing. Take your time and don’t skimp in any way.

If you take the time to research and plan sufficiently, and follow the other guidelines above, you can succeed in repainting the exterior of your home without hiring a professional. Just keep in mind that doing so is one of the most difficult and important home improvement projects you can decide to tackle on your own.

Take extra measures to ensure your painting project is an environmentally safe experience. The best quality acrylic paints are products that contain low or no volatile organic compounds (otherwise known as VOCs). These products reduce the emissions of VOCs into the home which improves indoor air quality and reduces urban smog. Check the labels on the cans for LEED certification to ensure you are using a low VOC product. LEED certified products are considered “green” or “environmentally-friendly.”

Following are tips for “green” painting:

Use all the paint.

When possible, use every ounce of paint you buy. The extra coat will provide walls with more protection. Or, ask a friend, family member, or neighbor if they could use some extra paint for a small project.

Seal it tightly.

Any unused paint should be stored in tightly sealed cans and placed upside down to help maintain the seal. Don’t pour leftover paint down the drain.

Dispose of paint properly.

To dispose of paint, convert it to a solid waste then dispose of it with your regular trash. To convert it to a solid waste, remove the lid to allow the water or solvents to evaporate. Do this in an area where children cannot tamper with it.

Hold off on cleaning tools immediately.

For projects that will take more than a day to complete, try wrapping your tools in a plastic bag for reuse instead of cleaning them at the end of each day. The tools will last overnight or even a few days if kept out of the sun.

Scrape the paint.

Upon completion of your project, scrape any excess paint from the can, latex rollers and brushes with a stir stick or wall scraper. Doing so prior to washing will make them easier to clean and is easier on the environment. When washing equipment, be sure to do so in a sink or similar drain so it is treated instead of ending up in the ground and in our drinking water.

Use quality water-based acrylic-latex paints.

Pure acrylic latex paints are more environmentally-friendly since they contain low levels of solvents. If using a water-based paint over an old solvent-based paint, be sure to follow the instructions for surface preparation which generally involves a good cleaning and a light sanding.